Category Archives: Writing

Freelancer secrets

I haven’t had a real job with a real boss since 2000, when I was single and fancy-free and only had to make enough money to pay for Commercial Drive rent and Kraft Dinner.

Over the years, I’ve learned that there are ebbs and flows of freelance work. The trick is to enjoy the ebbs. If you worry too much about when work will arrive, then all your time is spent either worrying or working! So, enjoy the ebbs. But, when you really need work, here’s what you do…

1. Plan a trip. As soon as you book a ticket, a deluge of contracts will appear, threatening your ability to leave town ever again.

2. Start reading a gripping fiction series. Your work will immediately arrive, and you’ll have to ration your reading, or lock the books in a safe somewhere, in order to force yourself into productivity.

3. Book a string of lunch dates and hiking trips. Voila! Your desk will be stacked with projects and you’ll have to work until midnight every evening because your days are too full of socializing.

You see the general theme here. It’s the watched-pot law of freelance work. If you want it to boil, you have to look the other way.

Fiesta, fiesta!

Whew — what a weekend!

We went to the Point Grey Fiesta on Saturday in time for the parade. What can I say? I have a weakness for men on motorcycles and people who throw candy at me.

On the way, I made my kids practice saying, “I’m sorry, I’m not allowed to shake your hand until my school is seismically upgraded,” but Christy Clark didn’t show up.

From the parade, we went to the fair for some ferris wheeling and bumper car bumping. Then — for me at least — it was off to a CWILL BC graphic novel workshop led by Kathryn Shoemaker.

It’s a good thing I stopped eating mini donuts when I did. I needed all my powers of concentration to put a chapter of an early reader into graphic novel form. It’s harder than you’d think! For me, the most enlightening point of the afternoon was about interior monologue. I had always thought of graphic novel scripts as the equivalent of movie scripts, but, as Kathie pointed out, they’re not. In a graphic novel, you can show what the character is thinking and what the character is saying. You can even do it at the same time.

It makes the whole genre more interesting…

FYI

Wow, do I ever write a bunch of trivial nonsense on my blog. This is what I learned when a friend asked if I’d written about the content of Seeing Red. I looked back to see if I’d ever said anything thoughtful (or anything at all, really) on the blog and the answer was… no.

Here’s what I HAVE blathered about:

Now doesn’t that just fully encompass my goal of exploring the dichotomy between blood-as-violence-and-gore and blood-as-life-giving-force?

No?

Well, I’m sure I put those ideas in the book. I probably could have mentioned something around here, though.

Next time.

I’m in e!

Guess what I found out last week? I’m, like, totally twenty-first century! (You know, if only I could have kept my spiral perm from the twentieth century, I would totally talk like that, like, all the time.)

Whew. Now that I’ve got that out of my system, back to the news: 50 Burning Questions, 50 Poisonous Questions, 50 Underwear Questions, and The Lowdown on Denim are newly available in e-book form. However, because these books are so highly illustrated, they haven’t undergone an epub conversion: the e-books are actually PDFs.

They’re available from the following retailers:

You know what else? I, like, totally forgot to tell my dad that I dedicated The Lowdown on Denim to him — in honour of his Hopalong Cassidy fandom. What does Hopalong Cassidy have to do with blue jeans? Well, you can read the e-book to find out. And sorry about the oversight, Dad. You’re on the copyright page somewhere!

A town by any other name…

All of that gardening talk in my last post reminded me… if you happen to be a crime writing fan AND a gardening buff, you absolutely have to read Deryn Collier’s new book, Confined Space.

I read the entire thing in 24 hours, though I did have to take a couple breaks near the end to breath deeply until my heart rate slowed down. (I get scared even in Disney movies. There’s a reason I write children’s books.)

Now, I’m not usually a follower of crime fiction, but my dad is. Since I have what Min calls “Reader-Willi Syndrome” (ie. I read everything in sight), I’ve read quite a few detective tales in my day. And I have to say, Confined Space is one of the best. The characters are so real and so likeable… I’m already waiting for book two.

Besides all this, Confined Space is set in a fictional place called Kootenay Landing which, though smaller and more company-centric, bears a remarkable resemblance to my hometown. Deryn says, “all places and characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental.” To which I say… right. Of course.

Just as, purely coincidentally, the fictional town of Webster in my young adult novel bears a resemblance to the same small town. And yet… the descriptions are vastly different. When my novel eventually emerges, you’ll have to check them both out and compare. Then you can road trip to Creston and decide for yourself!

50 Questions

Dear Jack from Three Valleys Public School:

Whoa! I thought my books had a lot of questions, but you have even more! Here goes:

Where did you get all the facts?
Some are from books, many are from science journals and studies, and a few are from actual scientists.

Do you enjoy writing books?
Yes! I think it’s much better than going to work in an office and having to follow my boss’s instructions. I never really liked having a boss.

Do you like your career?
I do, because each book brings new things to learn and think about.

Where did you learn to draw those pictures?
I can barely (barely!) draw a stick person. Those pictures were drawn by Ross Kinnaird, who is much funnier and cooler than I am. I think this is because he lives in New Zealand. I mean, have you ever met anyone from New Zealand who wasn’t cool?

Do you write with pen and paper or do you use a computer to write your stories?
Both. I scribble lots of research notes on paper, but I write the actual manuscript on my computer.

How many books have you written?
Apparently, 16. That’s what my mom says — she counted the other day while she was visiting me.

How long have you been writing books?
My first book was published in 2001. But there is a manuscript in my crawl space that was written in grade 10. Something about a druid and a sorceress. I don’t think that one’s going to be published any time soon.

Why did you write non-fiction instead of fiction?
I write both, but I think non-fiction has a greater chance of changing the world. For example, people hopefully think differently about rattlesnakes and newts once they’ve read 50 Poisonous Questions.

How long did you take to write 50 Poisonous Questions?
About six months. Then it took another month or two to edit, and then a few months for Ross to create the illustrations.

What got you to write the book?
The publisher suggested the idea for this one, and I thought it was a great topic!

Did anyone help you write the book?
Lots of people help along the way. An editor reads the manuscript really carefully, to make sure everything makes sense. Sometimes, she tells me that my jokes aren’t as funny as I think they are. Then a copyeditor reads the book line by line to make sure every sentence is perfect. And a proofreader checks all the tiny little details. Those three people help make me seem a lot smarter than I am in real life. Thank goodness they exist.

Thanks for your questions, Jack. And thanks for reading my book!

All those old ladies were right!

My daughter turned eight last weekend, and I’m feeling a bit like a crone. All those old ladies who stopped me on the street eight years ago — the ones who said “treasure these days because they go so fast” and the ones I wanted to take by their fragile shoulders and shake while I screamed “I can’t sleep! How can I treasure these days when I can’t sleep. I know there’s spit up somewhere because I can smell it, but I can’t find it. How can I treasure that?!?” — they were right. Whew, those years went fast. And slow. And kinda fast.

On the upside (and Min and I tried valiantly to concentrate on the upside while we lay in bed on the eve of her birthday, wondering if we’d stored up enough moments of youngster-hood), there are so many things we can do together now. Such as, talk books. We’re now reading from the same shelves at Kidsbooks. Most recently, she’s passed along The Strange Case of Origami Yoda, which I’ve always wanted to read.

I am going to miss those Elephant and Piggie books, though. The spit-up, not so much.

Don’t look now — I have a schedule!

A real honest-to-goodness schedule. This is something I really haven’t had since my daughter was born eight years ago. Well, there were those “scheduled” feedings at 2 a.m., 4 a.m., 7 a.m. (and the less scheduled ones at 2:45 a.m., 6:30 a.m., 7:15 a.m., etc.), but that’s not quite the same thing.

As you know, I’ve been dreading/anticipating my son starting kindergarten in the fall. Lately, it’s occurred to me that if I’m not on full childcare duty in September, I might actually have time to work. Time to do some writing and some writerly-related things. Such as… drum roll…

August 9: presenting at the West Vancouver Library

September 30: reading at Word on the Street

October 19-21: presenting at the Surrey International Writers’ Conference (squee!)

October 24: presenting for Delta and Tsawwassen libraries

October 30: presenting for Port Coquitlam libraries

Now is that a schedule, or is that a schedule? I’m a real working girl. (Um, wait… that didn’t sound right…)

Best moments

I’m going to stop talking about the TWUC AGM soon, but I wanted to share a few favourite moments:

Watching Margriet Ruurs knit during panel discussions. This is a woman who travels the world, writes books, runs a bed and breakfast, stays active in the writing community… and knits. Women truly are amazing multi-taskers.

Hearing Thad McIlroy say, “don’t be defensive; it attracts predators.” A quirky way of telling people to embrace change.

Listening to Cynara Geissler of Arsenal Pulp Press talk about being in “all spaces” — on-line, in print, in person — as a promotion strategy.

Noticing that most of the CWILL BC members at the conference — Linda Bailey, Margriet Ruurs, Caroline Adderson, Ellen Schwartz — were dressed in brown and turquoise. How did I miss that memo, and what was I doing in pink?

Marvelling that I could spend eight hours in a room that many writers and not have a single person ask about my rather black-and-yellow eye. I decided this was probably because they were all IMAGINING their own scenarios… how frightening.

Admiring the dedication of all those people who spend hours studying things like lending rights and copyright.